More info on the eye for my students…

Take some time this week to draw out an eye from a magazine, photo or using this diagram.  I’d love to see what you come up with.

Happy drawing and painting!

Here are some eye studies for you to follow.  A nice way of studying the eye is to get photos from magazines with different viewpoints and varying colors and draw and/or paint them.

Here I am using 3 primary colors:  Winsor Blue Green Shade, Permanent Rose and Winsor Yellow.  Notice how many colors I can achieve from only these three.

In the first glaze I gently wash in color (moving from color to color), painting around or  lifting out only my very lightest areas, then let it dry.

Next I’ve gone in with another glaze over the first one.  Now I am building some form and darkening, painting around my highlights and and the white of the eye… which you will notice is not white but a very light blue with a bit of rose and yellow.  This keeps the eye looking round and real.

Building the eye socket, the eye lid and lashes, as well as the iris of the eye is next.  I continue using a light washes of color and then charge in stronger values, using more pigment only after the eye is pretty well formed.  Retaining the whites and highlights is very important to giving the eye a wet look.

Here’s the finished eye.  I’ve just added a bit more of my blue and rose, mixed into a rich violet to the darkest areas.

Hope this helps you understand a bit more about my painting process and gives you inspiration to try some eyes for yourself.

Here is my palette, for those of you who have never seen me work.  I am using all pure hue, no earth tones or neutrals.  My palette mostly consists of Winsor & Newton paints.  For the most part I use staining transparent colors.

I’ve worked a bit more on Kerri, adding more work to thebamboo, a bit in the background and more on her blouse, as well as continuing to work on her face and hair.  At this point I am still using the three color choices I started with.  Winsor Blue, Permanent Rose and Winsor Yellow and added a bit of Winsor Orange in the warmer areas of her face and hair and touch a bit into the background.

Here’s a close-up so that you can see the colors I’m using in the face and the way I’ve started to develop the features.  After I’ve done my multi-colored glazing, I start to develop form by isolating various areas, such as hair line, eyes, nose and mouth.

Adding even more detail, including the tatoo on Kerri’s shoulder.

Next paint in your darker shadow areas and wala!  An ear.